Oil On Canvas, Real Flavor of Old Masters

All Alonso Sanchez Coello 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
81286  
Anna von Osterreich, Alonso Sanchez Coello
 
 Anna von Osterreich   1571(1571) Medium Oil on canvas Dimensions 176 x 98 cm (69.3 x 38.6 in) cyf
82664  
Portrait of Catalina Micaela de Austria, Alonso Sanchez Coello
 
 Portrait of Catalina Micaela de Austria   ca. 1585(1585) Medium Oil on canvas Dimensions 111 x 91 cm (43.7 x 35.8 in) cyf
87752  
Portrait of Maria Manrique de Lara y Mendoza and her daughter, Alonso Sanchez Coello
 
 Portrait of Maria Manrique de Lara y Mendoza and her daughter   17th century Medium Oil cjr
93097  
Portrait of Philip II of Spain, Alonso Sanchez Coello
 
 Portrait of Philip II of Spain   c. 1570 Medium oil on canvas Dimensions 1095 x 924 cjr
96218  
Portrait of the Infanta Catalina Micaela, Alonso Sanchez Coello
 
 Portrait of the Infanta Catalina Micaela   between 1682(1682) and 1685(1685) Medium oil on canvas cyf
82505  
Portrat des Infanten Don Diego, Alonso Sanchez Coello
 
 Portrat des Infanten Don Diego   1577(1577) Medium Oil cyf
82828  
The Infanta Isabel Clara Eugenia, Alonso Sanchez Coello
 
 The Infanta Isabel Clara Eugenia   1570(1570) Medium Oil on canvas Dimensions 116 x 102 cm (45.7 x 40.2 in) cyf

Alonso Sanchez Coello
Alonso Sachez Coello (1531/32 -August 8, 1588) was a portrait painter of the Spanish Renaissance and one of the pioneers of the great tradition of Spanish portrait painting. Alonso Sachez Coello was born in Benifairode les Valls, near Valencia, and spent his childhood there, until the death of his father when he was around ten years old. He was educated in Portugal at his grandfather's home. Coello's years in Portugal and his family name of Portuguese origin led to a long-standing belief that he was in fact Portuguese. His grandfather (after whom he was named) was in the service of King John III of Portugal who sent the young painter to study with Anthonis Mor (also known as Antonio Moro) in Flanders around 1550. He was under the service of Antoine de Granville, bishop of Arras, learning from Mor. While studying in Flanders, Coello also spent time copying some of Titian's works.



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